The Year of the Death of Ricardo Reis (Harvest in Translation) Page 13

  Ricardo Reis seemed to reflect. Then, leaning forward, he extended his hands to Marcenda and asked, May I. She also leaned forward slightly, and with her right hand put her left into his hands as if it were an injured bird, its wing broken, a lead pellet embedded in its breast. Slowly, gently but firmly applying pressure, he ran his fingers over the hand, up to the wrist, for the first time in his life knowing what is meant by total surrender, the absence of any reaction, be it voluntary or instinctive, of any resistance, worse, it seemed an alien body, not of this world. Marcenda stared fixedly at her hand, that paralyzed mechanism. Other doctors have probed those lifeless muscles, those useless nerves, those bones that protect nothing, now they are being touched by this man to whom she has entrusted them, if Doctor Sampaio were to walk in this moment, he would not believe his eyes. But no one came into the lounge, usually the scene of so much traffic. Today it is a place for quiet intimacy. Slowly withdrawing his hand, Ricardo Reis looked at his own fingers without knowing why, then asked, How long has it been like this. Four years last December, Did it come about gradually or all of a sudden, Would you call a month gradually or all of a sudden, Are you telling me that within a month you completely lost the power in your arm, I am. Was there any prior sign that something might be wrong, No, No injury, heavy fall or blow, None, What did the doctor say, That it is the consequence of my heart disease, You didn't tell me that you suffer from heart disease, I thought you were interested only in my arm, What else did the doctor say, In Coimbra they told me there is no cure, here, the same thing, but the latest specialist, who has been treating me for almost two years now, says that I can get better. What treatment is he giving you, Massage, sunlamp treatment, electric shock, With what results, None, Your arm does not respond to electric shock, It responds, it jumps, trembles, then is still again. Ricardo Reis fell silent, perceiving a sudden note of hostility and resentment, as if Marcenda were telling him to stop asking so many questions, or to ask her other, different ones, this question for example, Can you remember if something important happened at that time, or, more to the point, have you experienced some misfortune. Marcenda's face showed that she was close to tears. Apart from this problem with your hand, are you troubled by some unhappiness, Ricardo Reis asked her. She nodded, began to gesture but could not finish, convulsed by a deep sob as if her heart had been wrenched, and tears ran uncontrollably down her cheeks. Alarmed, Salvador appeared in the doorway, but Ricardo Reis dismissed him brusquely. Salvador withdrew, lingering just outside the door. Marcenda pulled herself together, only her tears continued to flow, but quietly, and when she spoke, the note of hostility, if that was what it had been, was gone from her voice. After my mother died I found I could no longer use my arm. But you told me only a moment ago that the doctors said the paralysis was the result of heart disease. That is what they said, And do you believe them, I do, Then why do you think that there is a connection between your mother's death and the paralysis in your arm, I am certain of it, but cannot explain it. She paused, summoned what remained of her animosity, and snapped, I am not looking for a healer of souls. Nor am I a healer of souls, just an ordinary doctor in general practice. It was now Ricardo Reís who was irritated. Marcenda raised her hand to her eyes and said, Forgive me, I am annoying you. You are not annoying me, I would gladly help you in whatever way I can. Probably no one can, I had to confide in someone, that was all. So you are truly convinced that this connection exists, As truly as we're sitting here together, And are you not able to move your arm just by knowing that the paralysis came about only because your mother died. Is that all it is, Yes, that's all, which is saying a great deal, because for you, given your deep conviction, there was no other cause, the time has come to ask yourself a straightforward question, is your arm immobile because you cannot move it or because you do not wish to. These words were uttered in a whisper, sensed rather than heard, and Marcenda would not have sensed them had she not been expecting them. Salvador strained to hear, but Pimenta's footsteps could be heard on the landing, he came to ask if there were any documents to be taken to the police. This question, too, was asked in a low voice, and for the same reason, so that the reply would not be heard. Sometimes a reply is not even spoken, trapped between one's teeth, one's lips, and if spoken, it remains inaudible, a tenuous yes or no that dissolves in the shadows of a hotel lounge like a drop of blood in a transparent sea, present but invisible. Marcenda did not say, Because I cannot, she did not say, Because I do not wish to, instead she looked at Ricardo Reis and asked, Have you any advice to offer, something that might lead to a cure, some treatment. I already told you that I'm not a specialist, but as far as I can judge, Marcenda, if you are suffering from heart disease, you are also suffering from yourself. That's the first time anyone ever told me that. We are all ill, with one malaise or another, a deep-rooted malaise that is inseparable from what we are and that somehow makes us what we are, you might even say that each one of us is his own illness, we are so little because of it, and yet we succeed in being so much because of it. But my arm doesn't move, my hand is completely useless. Perhaps it does not move because it does not choose to. This conversation, forgive me, has got us nowhere. You said you feel no improvement, I do not, Then why do you keep coming to Lisbon, It is not my doing, my father insists, and he has his own reasons, What reasons, I am twenty-three years of age, unmarried, brought up never to discuss certain things even though I might think them, for thinking is something one cannot avoid. Can't you be more explicit, Is that necessary. Lisbon, despite being Lisbon and having ships at sea, What's that, A line of verse, I don't remember who wrote it, Now it's my turn not to understand. Although Lisbon has so much, it doesn't have everything, yet there are some who think that here they will find their heart's desire. If in this roundabout way you are asking me whether my father has a mistress in Lisbon, the answer is yes. Surely your father doesn't need to justify his visits to Lisbon when he has a daughter in need of medical advice, besides he is still a young man, widowed, and therefore free. As I said before, I was brought up not to mention certain things, yet I go on mentioning them slyly, I am like my father, given the position he holds and the kind of education he received, I believe that the more secretive the better. A good thing I didn't have children. Why. There is no mercy in the eyes of one's children. I love my father. I believe you, but love is not enough. Obliged to remain behind the desk, Salvador has no idea what he is missing, revelations, confidences freely exchanged between two people who barely know each other, but to hear he would have to be seated here, on this third sofa, leaning forward, reading on their lips the words they scarcely utter. It would almost be easier to understand the murmuring of the paraffin heater than these subdued voices, they come as if from the confessional, may we be forgiven all our sins.

  Marcenda placed her left hand in the palm of her right. Untrue, she did not, the sentence suggests that her left hand was capable of obeying such a command transmitted by the brain. One would need to be present to see how this was done. First the right hand slipped underneath the left, then held the wrist with the little finger and fourth finger, and now both came toward Ricardo Reis, each hand offering the other, or pleading for help, or simply resigned to the inevitable. Tell me, do you think I will ever be cured. I cannot say, you have been like this for four years without any improvement, your own doctor has all the details of your medical history, which I don't, besides, as I've already explained, I have no competence in this field. Should I stop coming to Lisbon, tell my father that I accept the situation, that he shouldn't waste any more money trying to find a cure. Your father has two reasons for coming to Lisbon, if you take away one of them he may or may not find the courage to continue coming on his own, but he will have lost the alibi your illness provided, at present he sees himself only as the father who wishes his daughter cured. What should I do then. We two scarcely know each other, I have no right to give you advice, Please, I am asking it, Don't give up, keep coming to Lisbon for your father's sake, even if you no longe
r believe there is a cure, I have almost stopped believing in a cure, Cling to whatever belief you have left, believing will be your alibi, Alibi for what, To hope, Hope in what, Hope, just hope, one reaches a point where there is nothing but hope, and that is when we discover that hope is everything. Marcenda leaned back on the sofa, slowly stroking her left hand, her back to the window, her face scarcely visible. Normally Salvador would appear now to turn on the chandelier, the pride and joy of the Hotel Brangança, but on this occasion he does not, as if to show his displeasure at being excluded from a conversation which he, after all, made possible. This is how they repay him, sitting there rapt in conversation, whispering almost in darkness. No sooner did he think this than the chandelier went on, Ricardo Reis had taken the initiative, because anyone walking into the lounge would have been suspicious to find a man and a woman together in the shadows, even if the man was a doctor and the woman a cripple. Much worse, this, than the backseat of a taxi. As was to be expected, Salvador appeared, I was coming this very moment to switch on the light, Doctor. He smiled, and they smiled too, gestures and postures according to the rules of civilized behavior, part hypocrisy, part necessity, to disguise our anguish. After Salvador withdrew, there was a long silence, it seemed less easy to speak with all this light, then Marcenda said, Without wishing to pry into your affairs, can I ask you why you have been living for a whole month in this hotel. I still haven't decided whether or not to look for a place, I may return to Rio de Janeiro. Salvador tells me that you lived there for sixteen years, what made you decide to come back. I felt homesick. You've got over it quickly, if already you're talking about leaving. It isn't exactly that, when I embarked for Lisbon, I felt I could put it off no longer, there were important matters to be dealt with here. And now. And now, he broke off, staring into the mirror ahead, now I am like an elephant that senses its approaching end and begins heading for the place where it must die. If you return to Brazil for good, then that will be the place where the elephant goes to die. When a man emigrates, he thinks of the country where he might die as the country where he will spend the rest of his life, and that is the difference. Perhaps, when I return to Lisbon next month, you will no longer be here. By then I might have found a place to live, opened a practice, settled into a routine. Or you might have returned to Rio de Janeiro. You will be informed, our friend Salvador will pass on all the news. I will come in order not to lose hope, And I will be here, if I have not lost hope.

  Marcenda is twenty-three. We don't know for certain what kind of education she has received, but being the daughter of a notary, and from Coimbra no less, she almost certainly attended grammar school. Had it not been for her illness, no doubt she would have enrolled in some faculty, perhaps law or arts, preferably arts, because apart from the fact that we already have a lawyer in the family, the tedious study of codes and regulations is not suitable for women. If only she had been born a boy, to continue the Sampaio dynasty and legal practice. But this isn't the problem, the problem here is to find a young woman at this time in Portugal capable of sustaining such a lengthy and elevated conversation, we mean elevated when compared with the standards of the day. She did not make a single frivolous remark, showed no pretentiousness, did not affect wisdom or try to compete with the male, if you'll pardon the expression, she spoke naturally, was obviously intelligent, perhaps in compensation for her disability, something which can happen with women as well as with men. She rises from the sofa, holds her left hand up to her breast and smiles, I am deeply grateful for the patience you have shown me. No need to thank me, I enjoyed our conversation. Are you dining here this evening, Yes, I am, Then we shall see each other soon, good-bye for now. Ricardo Reis watched her leave, she was not as tall as he remembered her, but slender, that was why his memory had deceived him. He heard her say to Salvador, Tell Lydia to come to my room as soon as she is free. Ricardo Reis alone will find this request startling, because certain shameful acts of promiscuity between social classes are weighing on his conscience. What could be more natural than a maid's being summoned to a guest's bedroom, especially if the guest in question needs help to change her dress, for example, because her arm is paralyzed. Ricardo Reis stays a little longer, switches on the radio just as they are broadcasting the music from The Sleeping Beauty, one of those coincidences which only a novelist would exploit to draw parallels between a silent lake and a young virgin. Although this has not been mentioned and she herself does not declare it, Marcenda is a virgin, a wholly private matter, even a fiancé, should she ever have one, will not dare to ask, Are you a virgin. For the time being and in this social ambiance one assumes that she is. Later, at the opportune moment, we may discover with some indignation that she wasn't after all. The music came to an end, was followed by a Neapolitan song, a serenata or something of the kind, amore mio, cuore ingrato, con te, la vita insieme, per sempre, the tenor was singing these heartfelt protestations when into the lounge came two guests sporting diamond tiepins in their cravats, their double chins concealing the knots. They sat down, lit their cigars, were about to discuss a business deal involving cork or canned fish, we would know for certain except that Ricardo Reis is now leaving, so engrossed that he even forgets to greet Salvador. Something strange is going on in this hotel.

  Later that evening Doctor Sampaio arrives. Ricardo Reis and Marcenda have not left their rooms. Lydia has been seen from time to time on the stairs or in the halls, but only where she has been summoned. She was rude to Pimenta, and he gave her as good as he got, the incident occurring out of everyone's hearing, and just as well, because Salvador would certainly have demanded an explanation from Pimenta, who was muttering insinuations about certain people who walked in their sleep and could be found wandering down corridors in the middle of the night. It was eight o'clock when Doctor Sampaio knocked on the door. He would not bother coming in, thank you all the same, he had only called to invite Ricardo Reis to join them for dinner, Marcenda had told him about their little chat, I am greatly indebted to you, Doctor. Ricardo Reis insisted that he come in and sit down for a moment. I didn't do anything, simply listened and gave the only advice that could be given by someone without any special knowledge of the case, to persevere with the treatment, not to become disheartened. That's what I'm always telling her, but she no longer pays attention, you know what children are, yes Papa, but she comes to Lisbon without any real interest, and yet she must come so that the specialist can follow the progression of her illness, though of course the treatment itself is administered in Coimbra. But surely there are specialists in Coimbra. Very few, and those we consulted, without wishing to give offense, did not inspire much confidence, whereas the specialist in Lisbon is a man of considerable skill and experience. These absences from Coimbra must interfere with your work. Sometimes, but no father worthy of the name would refuse to sacrifice some time for his children. In this vein they exchanged a few more phrases matched in subtlety of intent, concealing as much as they revealed, as tends to happen in conversations in general and in this one in particular, for the reasons known to us, until Doctor Sampaio finally decided it was time to withdraw. Well then, we will knock on your door at nine, No, I will come by, I don't see why you should go to any trouble. And so at the appointed hour Ricardo Reis knocked on the door of room two hundred and five. It would have been most indelicate to have knocked on Marcenda's door first, another of those subtle formalities.

  Their entrance into the dining room was unanimously greeted with smiles and little deferential nods. Salvador, his annoyance forgotten or diplomatically suppressed, threw open the glass-paneled doors, and Ricardo Reis and Marcenda walked in front as etiquette demanded, he is their guest. From where we are standing we can scarcely hear the radio, there would be much food for thought if it should happen to be the wedding march from Lohengrin or the one by Mendelssohn or, less well known, perhaps because it is played as the prelude to disaster, the one in Lucia di Lammermoor by Donizetti. Needless to say, the table where they will sit is that of Doctor Sampaio, w
hich is invariably waited upon by Felipe, but Ramón does not abdicate his prerogative, he will assist his colleague and compatriot. Both of them were born in Villagarcia de Arosa, it is the destiny of humans to follow their own distinct paths in life. Some have followed theirs from Galicia to Lisbon, while this man Reis was born in Oporto, for a time lived in the capital, then emigrated to Brazil, and the two people with him have been shuttling back and forth between Coimbra and Lisbon for the last three years. Each is searching, for a cure, for money, for peace of mind, for pleasure, each has his own goal, which explains why it is so difficult to satisfy all who are in need. The dinner passes tranquilly. Marcenda is seated on her father's right, her left hand reclining as usual at the side of her plate, but curiously enough it is not hiding, on the contrary, it almost appears to glory in being seen, and if you think that word excessive, then you certainly haven't heard how ordinary people speak. Let us not forget, either, that this hand has rested in the hands of Ricardo Reis, and how should it feel if not glorious. Marcenda's disability is not discussed, the noose has been mentioned far too often already in the house of this woman condemned to the gallows. Doctor Sampaio is speaking of the wonders of the Athens of Portugal, There I was born into the world, there I was reared, there I graduated, there I exercise my profession, I swear the city is incomparable. His style is vigorous, but there is no danger of entering into an argument at the table about the merits of Coimbra compared with other cities, whether Oporto or Villagarcia de Arosa. Ricardo Reis does not care where one was born, and Felipe and Ramón would never dare to join in the conversation. They know their place, which is not the place of their birth. It was inevitable that Doctor Sampaio should learn that Ricardo Reis had gone to Brazil for political reasons, although it is hard to say how he learned it. Salvador did not tell him, because he does not know either, nor did Ricardo Reis confide it, but certain things are gleaned from broken words, moments of silence, a glance. He only had to say, I left for Brazil in nineteen nineteen, the year in which the monarchy was restored in the north, he only had to use a certain tone of voice, and the notary's sharp ear, accustomed to listening to falsehoods, oaths, confessions, was not deceived. It was inevitable, then, that the conversation should turn to politics. By indirect routes, testing the ground, trying to detect hidden mines or snares, but feeling incapable of changing the topic, Ricardo Reis allowed himself to be carried along, and before the dessert he had already stated that he had no faith in democracies and heartily despised socialism. You're among friends, Doctor Sampaio assured him with a smile. Marcenda showed little interest in their conversation, for some reason she placed her left hand on her lap. If there had been glorying, it was now burned out. What we need, my dear Reis, in this corner of Europe, is a man of vision and firm resolve to head our government and run the country. These were the words spoken by Doctor Sampaio, who continued, There is no possible comparison between the Portugal you knew when you left for Rio de Janeiro and the Portugal you have come back to find, I know that you have only recently returned, but if you have been around and kept your eyes open, you must have noticed enormous changes, greater prosperity, public order, a coherent plan to encourage patriotism, the respect of other nations for the achievements of our fatherland, for its secular history and empire. I haven't seen much, Ricardo Reis confessed, but I'm up to date on what is reported in the newspapers. The newspapers must be read, of course, but that is not enough, you must see with your own eyes the roads, the ports, the schools, the public works everywhere, and the atmosphere of discipline, my dear fellow, the calm on the streets and in people's hearts, an entire nation dedicated to honest labor under the leadership of a great statesman, truly an iron hand in a velvet glove, precisely what we needed. A splendid metaphor, that. Yes, I'm sorry not to have invented it myself, it stuck in my mind, how true it is that a single image can be worth a hundred speeches, it appeared two or three years ago on the front page of Sempre Fixe, or was it Os Ridículos, an iron hand in a velvet glove, and the drawing was so excellent that both the velvet and the iron were conveyed. In a satirical magazine. Truth, dear Doctor Reis, does not always choose the place. It remains to be seen if the place always chooses the truth. Doctor Sampaio frowned a little, the contradiction disturbing him somewhat, but he treated the remark as if it were too profound to be discussed then and there among the wines from Colares and the cheeses. Self-absorbed, Marcenda nibbled little bits of rind, she raised her voice to say that she did not want any dessert or coffee, then began a sentence which might have diverted the conversation to Ta Mar, but her father went on, It's not a literary masterpiece but it's certainly a useful book, easy to read, and should open many people's eyes. What is the book. The title is Conspiracy, written by a patriotic journalist, a nationalist, a certain Tomé Vieira, I don't know whether you've heard of him. No, I haven't, living so far away. The book was published only a few days ago, you really must read it and give me your opinion. I'll certainly read it if you recommend it with such enthusiasm. Ricardo Reis was beginning to regret that he had declared himself anti-socialist, anti-democratic, and also anti-Bolshevik, not because he was not all these things but because he was growing tired of such unrelieved nationalism, perhaps even more tired at not having been able to speak to Marcenda. As it so often happens, the thing left undone tires you most of all, you only feel rested when it has been accomplished.